
What’s the best way to write about a world that no longer exists?
That question has followed me for years, from the first time I opened a book on Mesopotamian history to the moment I started sketching the outlines of my third (Dutch) book, now in the works. It’s a book about Babylon. Not the Babylon of clichés and popular imagination, but the real, messy, deeply human Babylon of the sixth century BCE: a city caught in political, religious, and emotional turmoil, where priests still whispered the names of the gods, omens were read in the liver of a sheep, and rumours moved faster than armies.
But how do you write about such a world? How do you bring it to life without flattening it into a simple story or drowning your reader in footnotes?
That’s the challenge I’ve set for myself, and if you’ll indulge me, I’d like to tell you a bit about the road I’ve taken to try and solve it.
Continue reading “Writing Babylon: on the search for a new form”
