
In the previous post, I argued that Mesopotamian divination reflects a particular, externally framed way of thinking. Meaning was located in the world — in the stars, in the entrails of sheep, in unusual events — and the task of the human mind was to interpret these signs within an increasingly sophisticated internal logic. But what about literature? Does this outward orientation also shape how Mesopotamians represented themselves?
The absence — and emergence — of an inner life
For much of Mesopotamian literature, the answer seems to be yes. Characters act, speak, and interact with gods and kings, but their inner lives — their doubts, emotions, or reflections — are rarely foregrounded. The focus lies instead on maintaining divine and political order. The individual is present, but not introspective in a way that feels familiar to a modern reader.
This observation led Julian Jaynes to a radical conclusion: early humans, including the Mesopotamians, did not possess an “inner life” at all. Consciousness, in his view, emerged only in the late second millennium BCE, when the “voices of the gods” went quiet following the turmoil of the Late Bronze Age collapse. This shift can be detected in texts such as the Epic of Gilgamesh, Ludlul bēl nēmeqi, and the Erra Epic, where characters reflect on their suffering and question the divine order.
As I have argued before, Jaynes’ conclusion goes too far. Mesopotamians clearly thought, interpreted, and made decisions. Yet the pattern he identified is real. Something changes in the literature: a growing interest in the experience of the individual, in suffering, uncertainty, and the limits of human understanding. Even in prayers, we find devotees lamenting the silence of the gods.
Continue reading “The inward turn in Mesopotamian literature”







